{"id":338,"date":"2022-01-07T16:06:49","date_gmt":"2022-01-07T15:06:49","guid":{"rendered":"https:\/\/christophdangel.com\/discography\/1824-2"},"modified":"2022-12-16T12:42:08","modified_gmt":"2022-12-16T11:42:08","slug":"1824-2","status":"publish","type":"page","link":"https:\/\/christophdangel.com\/en\/discography\/1824-2","title":{"rendered":"1824"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;5&#8243; bottom_padding=&#8221;5&#8243; overlay_alpha=&#8221;50&#8243; equal_height=&#8221;yes&#8221; gutter_size=&#8221;4&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; bottom_divider=&#8221;step_2_3&#8243;][vc_column column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;3&#8243; mobile_width=&#8221;0&#8243; width=&#8221;4\/12&#8243;][vc_single_image media=&#8221;70&#8243; media_width_percent=&#8221;100&#8243; media_ratio=&#8221;one-one&#8221; shadow=&#8221;yes&#8221; shadow_weight=&#8221;lg&#8221; uncode_shortcode_id=&#8221;308892&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;3&#8243; mobile_width=&#8221;0&#8243; width=&#8221;6\/12&#8243; uncode_shortcode_id=&#8221;140676&#8243;][vc_custom_heading heading_semantic=&#8221;h1&#8243; text_transform=&#8221;uppercase&#8221; uncode_shortcode_id=&#8221;177081&#8243;]<\/p>\n<h1>1824<\/h1>\n<p>[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;527270&#8243;]This album focusses on the year 1824 and brings it to life through the marvellous music of four composers who gave the cello a special role in their compositions, and by the text which tells the story of the year 1824 based on original sources from journals, newspapers, letters, recollections, historic objects and works of art. The text is a loose collection of well-known, newly discovered, strange and everyday happenings, anecdotes, moods and opinions which throw light on a year in which much else happens, not least of all the first performance of Beethoven\u2019s Ninth Symphony.[\/vc_column_text][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;103761&#8243;]<strong>Order via:<\/strong> <a href=\"mailto:contact@christophdangel.com\">contact@christophdangel.com<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;799602&#8243;]<\/p>\n<h3>Information<\/h3>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;215097&#8243;]<strong>Pieces<\/strong><\/p>\n<p>Gioachino Rossini: Duet for Cello &amp; Double Bass<br \/>\nJohann Nepomuk Hummel: Cello Sonata op. 104<br \/>\nBernhard Romberg: Trio No. 1 E minor for cello, viola, double bass from &#8220;Trios d&#8217;une Difficulte progressive&#8221;<br \/>\nFranz Schubert: Arpeggione Sonata D. 821 for Cello &amp; Guitar<\/p>\n<p><strong>Contributors<\/strong><\/p>\n<p class=\"paragraph_style_1\">Christoph Dangel &#8211; cello<br \/>\nEls Biesemans &#8211; Pianoforte<br \/>\nKatya Polin &#8211; viola<br \/>\nStefan Preyer &#8211; double bass<br \/>\nStephan Schmidt &#8211; guitar<\/p>\n<p class=\"paragraph_style_1\">Label: Prospero, DDD, 2021<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;758625&#8243;]<\/p>\n<h3>Press<\/h3>\n<p>[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;830056&#8243;]<strong>Rondo, Feb 2022<br \/>\n<\/strong> &#8220;A 74-page booklet that already conveys feelings of happiness to the touch, combines optically attractive old drawings, graphics and paintings with recordings of the instruments used and not only revives the everyday life of composers in 1824 in terms of text and narrative.&#8221;<\/p>\n<p><strong>Peter Hagmann, February 2022<br \/>\n<\/strong> &#8220;One surprise after the other can be found here, and all in interpretations of outstanding format.<\/p>\n<p>The naturalness with which the duo takes into account the practical performance conditions of the early 19th century arouses particular interest &#8211; the cellist, for example, the subtle handling of the portamento, the pianist the non-simultaneous attack. That creates life.&#8221;<\/p>\n<p><strong>pizzicato, Feb 2022<br \/>\n<\/strong> &#8220;presented with technical noblesse and a deep understanding of the musical statements.&#8221;<\/p>\n<p>&#8220;Finally, Schubert&#8217;s sonata becomes a special discovery with the guitar part, although the work otherwise seems so familiar. Since the piano is mostly the powerful instrument, with the guitar there is a new balance that has its charm. With Stephan Schmidt, Dangel has a duo partner at hand with whom he can interpret the work sensitively and precisely.&#8221;[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;5&#8243; bottom_padding=&#8221;5&#8243; overlay_alpha=&#8221;50&#8243; equal_height=&#8221;yes&#8221; gutter_size=&#8221;4&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; bottom_divider=&#8221;step_2_3&#8243;][vc_column column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":308,"parent":335,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-338","page","type-page","status-publish","has-post-thumbnail","hentry","page_category-album-en"],"_links":{"self":[{"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/pages\/338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/comments?post=338"}],"version-history":[{"count":32,"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/pages\/338\/revisions"}],"predecessor-version":[{"id":502,"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/pages\/338\/revisions\/502"}],"up":[{"embeddable":true,"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/pages\/335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/media\/308"}],"wp:attachment":[{"href":"https:\/\/christophdangel.com\/en\/wp-json\/wp\/v2\/media?parent=338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}